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April 2013

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Thursday, May 23rd, 2013 06:31 pm
Today I took the car and went walking on the Quantocks. I started out at Lydeyard Hill, which has a car park, though not one I'd risk tackling other than at ten in the morning on a weekday as it is up a half-mile winding single track road with few passing places and getting out of it again involves a precisely angled approach through a gate with a cattle grid that I would not attempt with more than four other cars in the car park and an extremely low risk of something coming the other way. We have been there with the kids but tend then to stop in the woods where there are lots of fallen trees and dens made out of branches. This time I kept going to see what happened next and what happened next was Wills Neck, which is the highest point and apparently a Marilyn, though I'm not sure it counts if your car park is only six contour lines below the top.
Photos )

There is also apparently the Triscombe Stone but I must have walked past it twice without noticing. And then I ran out of time and there were ominous dark clouds on the distant horizon so I turned round and went back again and the ominous dark clouds hit just as I got to the exposed high bit, with high wind and driving hail. Fortunately mostly it was driving in the same direction as me, making it more exhilarating than miserable. Fog would have been worse. And I had decent-ish clothing (though if I am going to keep doing this sort of thing, which I want to, I must get walking boots rather than 20 year-old red Doc Martens, and the zip on my raincoat really is permanently jammed and the poppers aren't exactly windproof at a height of 384 feet). Equally importantly, I had a map, a flask of tea and some chocolate. I was walking for three hours, which was about right for my feet at the moment. Next time I'd like to drive to Aisholt and keep going from there.

I was back to pick the small kids up from school and took them down to the open-air pool, which I have promised to do for half an hour once a week. Daughter is now going there with friends several days a week afer school, which is brilliant 11 year-old freedom, but the others need me standing in the shallow end. The water was 27C, they said, but as the bits of you not in the water were in 10C with a high wind, this was little consolation. I am planning a hot bath.

Thursday, May 23rd, 2013 06:56 pm
Day One Favourite Lead Female Character
Day Two: Favorite supporting female character
Day Three: A female character you hated but grew to love
Day Four: A female character you relate to
Day Five: Favorite female character on a male-driven show
Day Six: Favorite female-driven show
Day Seven: A female character that needs more screen time
Day Eight: Favorite female character in a comedy show
Day Nine: Favorite female character in a drama show
Day Ten: Favorite female character in a scifi/supernatural show
Day Eleven: Favorite female character in a children’s show
Day Twelve: Favorite female character in a movie
Day Thirteen: Favorite female character in a book
Day Fourteen: Favorite older female character
Day Fifteen: Favorite female character growth arc
Day Sixteen: Favorite mother character
Day Seventeen: Favorite warrior female character
Day Eighteen: Favorite non-warrior female character
Day Nineteen: Favorite non-human female character
Day Twenty: Favorite female antagonist
Day Twenty-One: Favorite female character screwed over by canon
Day Twenty-Two: Favorite female character you love but everyone else hates
Day Twenty-Three: Favorite female platonic relationship
Day Twenty-Four: Favorite female romantic relationship

Day Twenty-Five: Favorite mother/daughter and/or sister relationship

Ah, they weren't included in the platonic ones, after all.

Generally the mother/daughter relationships I've come across are somewhere between fraught and nonexistent. I'm with Ekaterin on the idea that the folktales where the heroine's mother dies young seems to be meant as some form of instruction, and surprisingly prevalent ones, too.

So, sisters. I note, of course, that it's the relationship one is supposed to favourite, not the individuals, and while there are possibilities galore in Austen, I would like to mention Maria Edgeworth's Patronage with Caroline and Rosamond Percy, who are a sort of Elinor and Marianne duo, but with rather more melodrama. I'm very fond of Patronage (it's the book name-checked in Cranford as having "banished wafers from polite society" and the sisters are particularly good.

But I've already discussed how much I love the sibling relationships in Ankaret Wells' Requite novels and in Firebrand. In particular, it allows for an equality in rescue scenarios which traditional damsel in distress models can't match; Kadia and Kassia rescue each other with considerable symmetry in Firebrand, and while things are sparkier and edgier in The Maker's Mask/The Hawkwood War they come over as very real sibling relationships in both cases.

So I'm going with Firebrand.







Read more... )
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Thursday, May 23rd, 2013 09:34 pm
What the fuck, IDF? You were supposed to lower the draft period for men in non-combat roles, not up the draft period for women all women in trained roles.

...well, they're only going up to 28mo, it's not a lot longer than the 24mo my cycle had. But.

(Haaretz, Hebrew, no login wall.)
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Thursday, May 23rd, 2013 01:06 pm

Well, here I am. Yesterday was an agreeable bus ride, then I walked from the Union to the Concourse, it being not unduly hot, not raining, and my backpack not completely resembling that of Christian ascending the Hill Difficulty.

I was obliged to wait a while in the lobby for my room to be ready; however, an upside, besides the water and chips they comped me, was running into [profile] 1crowdedhour.

Room v nice once I had shifted the bedside table to the more convenient side.

Agreeable early dinner of tapas with [profile] 1crowdedhour, and an early night.

Good sleep, breakfast of Swedish pancakes with lingonberry jam (in quantities that defeated me in the end), encountered [livejournal.com profile] pennski and [livejournal.com profile] bookzombie.

Had booked a massage yesterday for this morning, which was marvellous and just what I needed. Highly recommended.

Weather bright, but atypically brisk.

Thursday, May 23rd, 2013 09:23 pm
Well, they know what had happened with that mine. It's a modification made to some mines of this series in '98, which was supposed to improve some parameters but get unexpected given enough exposure to intense heat. Two minds with this modification had exploded before (just not near people), and some Combat Engeering reservists are saying that the corps had been warned about this - but I still haven't managed to figure out who'd done the warning (i.e. internal or external). If it was voices from inside the corps that got ignored? It's going to be bad.
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Thursday, May 23rd, 2013 07:18 pm
I am not sure I should really wade into this, because this kind of topic can really easily turn into non-mentally-ill people pontificating about how people with actual mental illnesses should live their lives while obliviously forgetting that they are likely to be talking to people who have actual personal experience. At the same time I think there is a big problem with prejudice against people with mental illnesses (as well as lack of access to treatment, which in some ways is connected to prejudice) and that's something I want to challenge.

links and commentary about mental illness, including discussion of violence )

What I don't know here is how to use rhetoric responsibly. It does a lot of harm to imply that all mentally ill people, or all people with certain categories of mental illness, are dangerously violent. But it also does harm to pretend that mental illness can easily be handled by just, you know, having a "positive attitude"; decent mental health provision is absolutely necessary, both for people with mental illnesses and for wider society. I suppose I want to argue that people should be able to get help because it's morally right that we take collective responsibility for treating the sick, not necessarily because otherwise they might go on a rampage and murder their carers or some innocent bystander. And I want to argue for this in a way that isn't about making me, as a non-mentally-ill person, feel safer at the expense of others.
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Thursday, May 23rd, 2013 01:54 pm
Some tv-watching sketchbook pages, for kicks. The red is Person of Interest and drawn while I watch, so they are quicker and aren't super recognizable (cept I rather like the Fusco and Rico bits, they have great faces) - the blue is Supernatural drawn while paused and still not too recognizable because I'm new at their faces, okay. :P

sketch sketch sketch )

I RAN OUT OF INK (sorry, Bobby) ;_______;

Also you can where's-waldo my child :-O
Thursday, May 23rd, 2013 12:00 pm

If you know any writers, you’ve probably seen this spewed all over social media today. Well, it’s my turn to spew. Amazon is starting a new scheme, this one to sell fanfiction. For profit.

That’s right. Fanfiction. Making money off of it. This is a thing now. Well, it had the feeling of inevitability as soon as everyone realized 50 Shades of Gray was tarted-up Twilight fanfiction.

I have some very complicated feelings about this, both as an author and as a fan. The author gets to go first:

I had one moment of pants-shitting terror until I actually read over the terms. The fact that this for-profit fanfic will be limited to only properties Amazon has a deal with, and that royalties will be paid to the owners of that property soothes a lot of potential worries that I might have had, and goes a long way to explaining how this venture would even be possible. They’re not going to go selling fanfic at random. And there’s actually a lot of control by the owners of the original properties (from the Kindle Worlds authors page):

World Licensors have provided Content Guidelines for each World, and your work must follow these Content Guidelines. We strongly encourage you to read the Content Guidelines before you commit the time and effort to write.

So that’s certainly offering more control over content than regular fanfiction does. This means if the original property owner wants no slash, there will be no slash. (More on this later in the fan section.) Honestly, this doesn’t sound like fanfiction so much as a new model for writing tie-ins. So yeah, from the viewpoint of writing, it sounds like it could be beneficial – original property owners could make some money, starting writers could make some money for something they’d otherwise give away for free, win-win, right?

Hm, maybe. One of the major issues that’s making me feel uncomfortable with this scheme is right in the terms as well:

When you submit your story in a World, you are granting Amazon Publishing an exclusive license to the story and all the original elements you include in that story. This means that your story and all the new elements must stay within the applicable World. We will allow Kindle Worlds authors to build on each other’s ideas and elements. We will also give the World Licensor a license to use your new elements and incorporate them into other works without further compensation to you.

And.

Amazon Publishing will acquire all rights to your new stories, including global publication rights, for the term of copyright.

Emphasis in both passages added by me. First off, all rights for the term of copyright is something that had writers across the internet shitting their pants over the originally proposed contract terms for Hydra and its sister imprints. These are bad terms. The term of copyright at this point, with the ludicrous nature of copyright law, means “as long as we can squeeze even a dime out of your work’s rotting corpse.” Copyright effectively does not end as long as someone cares enough to renew it.

Add to that the other part. Basically, any original work you add in this for-profit fanfiction, be it plotline or world element or character effectively ceases to belong to you in any useful sense. If I’m reading this right, you can no longer use these original elements of your own outside of this fanfiction. And even better, the original owner of the work can use your story elements without so much as giving you credit. This may sound fair at first blush (this is fanfiction, after all, right? You’re getting paid, right?) but I’ve known a ton of people who write fanfic (including myself) who have gone on to use elements they first developed in fanfiction to fuel their own original endeavors. Come up with a cool side character that you can transfer into your own original universe and then write awesome novels about? Tough titties.

So that’s something I find incredibly worrying.

In a more abstract sense, I’d also like to throw in a little “won’t someone think of the children?” Part of what had people up in arms about the Hydra debacle was that it blatantly targeted struggling writers, because they were the most likely group to go for shitty contract terms and not know better. This has all of the same hallmarks, but potentially worse since the series in question could have a very teen-heavy fan (and writer) base. Get ‘em while they’re young, eh, and then they’ll think term of copyright is a-okay?

It’s not entirely downbeat. I think this might be a shot for new writers to start building their own fan base, which could be useful when they branch off and start writing their own work. Hell, it could be a way for talent to get noticed by the people who run these properties. Who knows.

Though that does circle us back around to the question of quality control. Obviously there will be some, thanks to the “Content Guidelines.” But I’m curious to know how much editing will be done. How much will this be an opportunity for writers to actually improve their craft? I’ve already seen epublishing treated often as a “well fuck the editors they don’t see my obvious talent I’ll just self pub online” escape hatch by writers that honestly need more work. (Please note, I am not saying all self published work is like this. Some of it is phenomenal.) Will the Kindle Worlds get swollen with badly written works by writers who are not getting the necessary guidance to improve? Look at the internet, man. There is a lot of fanfic out there. And a lot of it is really, really bad.

Which brings us around to my much less mixed and generally less positive feelings as a fan.

Let me just put it out there that I find the idea of for-profit fanfiction thoroughly repugnant, as someone who has been writing fanfiction nearly her entire life. This is a little less so on the grounds that it’s done in concert with the creators, but still. In the depths of my fannish soul, I do not like it. Maybe I’m one of a dying breed.

Beyond that, there are two main concerns that I have as a fan:

1) If this becomes a useful revenue stream for the property owners, will this give them incentive to try to crack down on free fanfiction on the internet? While we know that fanfic has a way of surviving even when the holder of copyright doesn’t like the fact of its existence, this could make life very unpleasant for people. Obviously, this is a moot point unless the “licensed” fanfiction starts making a lot of money. But one does have to wonder, why bother paying even a pittance for fanfic on the Kindle when you can get it for free at AO3 or Fanfic.net?

Other than for the shiny badge of sanction, I suppose. Which brings me to point the second:

2) The “Content Guidelines” were mentioned before, but we don’t know why kind of things might be in them, other than no porn. How strict a control will there be on what is depicted in these stories?

While much of fanfiction is pure, joyful (and often badly written) brain crack, the one thing it can do, at times unwittingly, is give voice to viewpoints and characters that are marginalized in the original properties. For example, while a lot of slash can be porn for the sake of porn, it’s also there as a vehicle for depicting relationships between male characters where there wasn’t one in the series. While homosexual characters are becoming more common in the actual shows themselves, if you believed fanfiction you couldn’t throw a rock in a given episode without hitting a gay character. And while this may sound flippant or trivial to you, I believe it can have a profound impact. Frankly, yaoi and slash fanfiction were what started me as a teenager on my journey to realizing that gay people are (holy shit) people, and that I’m bisexual. Fanfiction can let side characters, often people of color, shine when they are given no opportunities in their original show. How will this work with content guidelines, and so on?

There’s a lot of fanfic out there. And there’s a certain magic to having to sort through it all to find stories you like. In the process, you’ll often find out that what you like isn’t necessarily what you thought you’d like.

A lot of this is just me spinning my wheels. Kindle Worlds is a thing that’s going to happen, and there’s no stopping it. There’s also no knowing how profitable will be. It could be a massive hit. It could be dead and forgotten in a year. We’ll find out. But while we wait to see how it develops, I can’t shake my feeling of profound unease.

While I’ve seen several blog posts that include, “If property X were in Kindle Worlds, I’d sure be tempted to write for it…” I’m not going to join that club. I have no interest in this scheme, not under those terms, no way, no how. Not even if it were Avengers. Because I do it for the love. And because some day I’m going to write the adventures of the little waffle iron that could.

Further reading:

Originally published at katsudon.net. You can comment here or there.

Thursday, May 23rd, 2013 12:53 pm
YESTERDAY I READ AN ARTICLE AND THOUGHT, "PORTLAND IS KIND OF A QUIRKY PLACE." HIGH PRAISE, SINCE I LIVE IN AUSTIN. BUT TODAY I READ AN ARTICLE AND THOUGHT, "PORTLANDIANS ARE FUCKING RETARDED."
Thursday, May 23rd, 2013 05:00 pm

Posted by Joseph

By Book Review Correspondent Carly Neely

stormwarning

Storm Warning book cover

How nice is it to read a collection of stories about a Caribbean island and have it not talk about rum punches and idle days spent lounging on a beach in a careless, unblemished paradise? It’s very nice. Truly, it’s my favorite thing about Storm Warning by E.A. O’Neal. I want action, intrigue, and complex character dynamics in every book of fiction that I read. This collection of short stories places the residents of fictitious island of St. Crescens front and center and the grit of their situations is not washed away by a dreamy backdrop. We witness a myriad of individuals struggling to pursue their desires, some resorting to crime, others becoming the victims of it.

Half of the stories are tight slices of storytelling, glancing into lives that are haunted or marred by “something not quite right.” The very first story, “Storm Warning” and later with “The Righteous Ones” treat the reader to that queasy feeling of dread that crime fiction lovers long to feel. It immediately reminded me of the work of Dan Chaon’s short stories, Stay Awake, whose imagery also stayed with me late into the night. I would lay awake restlessly wondering if there was really maliciousness in a person’s face or whether it was a projection of guilt or just a passing shadow which could have explained away and avoided a gruesome fate. Was Shirley’s husband aware of her suspicious activities or was it just the air of tension in a community preparing for a coming storm? “Storm Warning” offers a look into the lengths one may go to pursue a dream while “The Righteous Ones” has an unnerving tale of a man’s missionary service gone awry.

The other half of the stories are a bit fuller, extended works with fleshier stories that are character driven. “Collision” features a pair of brothers,  facing a last resort attempt to leave the island for America. The brothers are juxtaposed with a young man, Rufus, whose life is just beginning to stabilize with his girlfriend. The three men are tied together through drugs and violence (which could be construed as a tired trope) but O’Neal has mostly separated the two issues, leading to some refreshingly organized and calm scenes involving the trading of goods. The drugs cannot be blamed for all of the violence and we’re left wondering what truly constitutes the mettle of these men. Rufus’ story reminded me strongly of moments from Junot Diaz’s This Is How You Lose Her, where the lead character is extremely hard to cheer for, but you feel greater empathy for this flawed man. The desire, or need rather, to improve one’s life is strong on both sides of this story. Though despite desire, their fate often plays out regardless of personal drive. “Face-Down” offers a different format for describing the crime, playing out as a police interview transcript. Here we get to see O’Neal write unique dialogue, forming characters that are distinct without the help of narration. O’Neal mentions the relationship between the wealthy, white woman at the heart of the story and her partner and friends on the island, but it’s hard to get too deep into a commentary on it when you’re hamstrung by the format. The use of language is wonderful here however, reminding me of how much the reader can put together when given the right queues. Answers are given in just the right way so we know what is being asked.

The last story of the collection left me conflicted. “The Dead Bishop” chronicles the crime of a murdered bishop whose extracurricular activities were highly unsavory. This theme of the abusive, powerful man within the church is a popular and unfortunately familiar one.

**I’ll need to get into some major SPOILER ALERT territory here to discuss what I really struggled with, so if you would rather not know the end of this story you’ve been warned!**

The killer, Malician Rosan, turns out to be victim of the bishop’s molestation. Born Mervyn Lane, we learn he was abused by the bishop, began doing poorly in school, began cross-dressing, entered into child prostitution, with his story culminating in becoming a transsexual. My hesitation with this is more in the ‘through line’ style reasoning O’Neal is using here. I’m not an expert, but I’m pretty sure that each of those things does not lead to the other.

Abuse does not necessitate a desire to cross dress, or create a gender or sexual identity. But this is referred to as the ‘why’ in the novel several times, from the detectives and Malician herself who credit the bishop’s actions with “making her the way [she is].” Even the police discuss theories of how the bishop’s abuse could lead to a horde of future pedophiles and homosexuals. O’Neal plays this down with a detective saying, “Quite a few adult homosexuals report being sexually abused by men as children but, from what I’ve read, there isn’t conclusive evidence proving that one leads to the other.” I just don’t believe that one statement is anywhere near enough to discredit that reasoning. By also having the victim/killer herself testify to the veracity of this explanation, it makes me wonder if we are supposed to read this as a commentary on the culture of the island towards gender and sexual identity? Because this is a fictitious island fully within the author’s control, I can’t say for sure how it’s intended, but I can only hope that it is a highly conscious choice. I desperately longed for more of a dissenting voice against this reasoning.

**End of SPOILER ALERT territory!**

Storm Warning is a short work, only 99 pages, and it reads very quickly as well. These stories left me wanting more, and I am still wondering what happens to these characters. Not only am I pondering about their individual lives, but the island itself and the community that expands and contracts around these crimes. O’Neal has created a universe where I am acutely aware how each person impacts another, and at this end of this novel, I wonder who she will introduce to me next.

Thursday, May 23rd, 2013 12:02 pm


(941): I think we got naked. I can’t remember but if you have “friends” written on your ass, then we did. Because I have “best” on mine

Thursday, May 23rd, 2013 12:59 pm
Does a purchasable edition of Genevieve Padalecki's Hated actually exist anywhere?
Thursday, May 23rd, 2013 05:38 pm
Last week, I broke the nosepiece of my goggles. I'd never tried swimming without them since I got them. It turns out, I never did learn how to open my eyes when they're wet (let alone underwater). I have a powerful edge to brush the water off, and it's really hard to just keep them open.

I assume I'd get used to it, but I was reluctant to try (especially when I wanted to squeeze in 20 lengths before work). I ended up swimming with my head half out of water, like I used to, and it worked, but didn't feel very efficient.

I was sure my goggles came with three nosepieces: small, medium and large, but despite finding the plastic boxes the lenses came in, and the hard can you're supposed to keep them in (which now I think I will), and the nose clip I didn't use much, I couldn't find them.

Did I imagine it? I remember vividly choosing the medium nosepiece, but it possible I imagined it? Or that I accidentally threw out the other two in the jiffy bag the goggles were delivered in?

It doesn't help that I wasn't sure if they'd be in the drawer at work, or the bedside drawer at home, or somewhere else. Although I'm very pleased that there was only really one likely place at home, I didn't have to turn out EVERY box in the house not sure where I would have put them. I kept saying "they're not here, I'll check at home again" or "they're not here, I'll check at work again".

Replacement nosepiece plus can and strap with shipping cost more than £10. How long had I spent looking before it would be better to admit I'd lost them. And though £10 is expensive for a small bit of plastic, the goggles are certainly worth it and there's no cheaper way of cobbling them together. Although I wonder if it was a plastic bit which could be 3d-printed?

But this morning, having a last thorough search of the drawer at work, I found them. They weren't in the boxes, they were in a miniature plastic bag that was almost invisible.

I felt really glad. (Though this was my last check before ordering the replacements, so I wouldn't have been without for more than a few days more.)

This week has been one of my least-successful gym weeks. I've been swimming twice, but only 20 lengths each. And I hope to go running at the weekend, but I'm not sure I'll actually have time.

But I'm also really glad that this was bad because of the combination of (1) taking the car for a service, so not having time before or after work (2) walking to the beer festival so I could drink, and not having time to go via the gym in the morning (3) being busy every day and (4) not having goggles. And I never felt that I was glad of an excuse to avoid it -- I was annoyed I couldn't go, and it feels like it's a genuine exception of which there've been one or two before. And I have beeminder reminders to tell me that next week, I should go three times, not say "well, I didn't go last week so why bother".
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Thursday, May 23rd, 2013 12:25 pm
The Captive Prince is getting published by a Penguin imprint!

This is awesome - I never thought they'd take a chance on a m/m romance - especially since it's not a straight up romance, in the romance novel sense - it's much more like an awesome adventure story with a heavy romantic subplot built in, which makes it a bit harder to slot into the romance genre. If it involved a straight couple, it might not even be called a romance at all, just an adventure story with a love interest.

Anyhoo, I'm looking forward to holding the third book in my hands. (Umm, I won't be buying it in a bookstore, though - I buy everything through Amazon.)

The free versions are going offline, so read while you can - happily, I bought the Kindle versions of books 1 and 2, so I can reread them in anticipation.
Thursday, May 23rd, 2013 05:17 pm
I never actually wanted to own anything. I don't desire to actually have anything that _belongs_ to me. What I want is access to things. So once movies are available on demand, music is streamable, and books are electronic, I can get rid of all of the actual physical objects and reclaim a bunch of wall/shelf space for decorative purposes.

And so this lot were picked up today and taken to Shelter:


Leaving my shelves looking like this:


Still remaining: Graphic novels, reference books, and some things I couldn't quite bear to get rid of (like the Narnia books).
Thursday, May 23rd, 2013 09:04 am
1) Guys, Captive Prince. Captive Prince, guys.

2) Has anyone bought the paperback novels? I wanted to, because the maps and covers look pretty, but for some reason never did. I have no idea whether the Penguin editions will use her covers etc, so maybe I should buy them while I can.

3) [personal profile] coffeeandink said maybe the publishers are hoping for another Fifty Shades. It would be so awesomesauce if the book was popular. And gay romance novels become more mainstream.

4) I'm wondering how much they'll edit?

5) Book 3, you guys. Guys, book 3.

6) Once on my way to Portland to see my brother, I'd just gotten off the bus, and checked my ipad. I saw there was an update of Captive Prince. I walked to the rental place, rented a car (Okay, I know, environment, but the train was booked for the time I needed it and renting a car and driving it to Portland is actually cheaper than taking a train there), got in the car, and then drove to a parking lot. And then proceeded to read the update before starting my drive because I JUST COULD NOT WAIT.

6) In other news, I think Kindle Worlds is hilarious.
Thursday, May 23rd, 2013 04:29 pm
Forgive me, I've been reading. I don't often do this, but sometimes books are just too inspiring and/or mind-expanding not to want to share.

The first is 'Hackers; heroes of the computer revolution' by Steven Levy (25th anniversary edition). It's interesting in the "where do many commonly held beliefs and arguments originate?" sense. It looks at the birth of the American computer culture from the 1950s to the 1980s, mostly through the viewpoint of computer games and their development. As a chronicle of the teething period of the field it might only be interesting to those deeply involved in computer culture, but I suspect it holds wider appeal. It also has the remarkable ability to make the reader want to just go out and do something.

The second is the classic 'The Rise of the Meritocracy' by Michael Young. (Yes, this book is what coined the word meritocracy.) It is a short, but complicated book. Written as if in the form of a retrospective by someone in the future it blends historical fact with fiction remarkably well. Imploring the use of an old-style satire (exaggeration without the comedy), it is challenging, offering insights, again, to commonly held beliefs and attitudes, but this time on the scale of Society. From inheritance, aristocracy, education, socialism, and class structure in general, this book brought to light many of the things I knew but had never been taught. I thoroughly recommend it to everyone.

The third is 'Networks Without a Cause; A Critique of Social Media' by Geert Lovink. The style of the writing took me a while to get used to, but I'm glad I did. Looking at more than just social networks with a critical eye this book explores most aspects of the new digital frontier and the role it plays in our lives. From Amsterdam based radio stations, to blogging in Germany, France, and Iraq, commenting, anonymity, the multiple self, and information overload; it is a thought provoking read on something most of us just fell into.

So now you know what's been keeping me from working on projects. We had a 'Meet the Maker' meetup for the Dublin Mini Maker Faire in the hackerspace last night. DMMF is just two months away. It emphasised to me the need to get moving on some projects. But first GaelHack, which is just two weeks away! Maybe I should put the books down for a bit.
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